We talk a lot about the big public events that expanded the #MeToo movement so astronomically, like the election to the US presidency of a man who bragged about assaulting women, and the allegations made against Harvey Weinstein. But I think most American women have other, more personal beefs that originate from their being a woman. I, for one, was shocked at how unnecessarily difficult it was to be a new mother in the US. Other places support this vulnerable group much more than we do here, and living that disparity angered me—like, for example, when my husband exhausted what little parental leave he had available before our twins were even released from the NICU.
On the outside, Harriet Lime is a typical American mom. But after years of packing all the lunches and picking up all the socks, she’s become a bit…off on the inside. And after stumbling upon the offensive new statue at her daughter’s school, she gets unusually angry and turns into a gigantic monster. Now she’ll have to figure out why that keeps happening—and why some mysterious uniformed men have begun lurking around town—all while keeping up with the grocery shopping, the carpool, and all those mother@#!&ing socks.
Soon, she fears being ripped away from everyone she loves. Still, she’s begun to wonder how much of her old life—with its surplus of cleaning, cooking, and monthly cramping—she wants to hold onto, anyway.
This 2018 release had particularly good timing: By the end of the previous year, the #MeToo movement had exploded into a global phenomenon and women the world over were pissed. I was one of them, and I was doing a lot of soul-searching about the growing rage inside of me.
Good and Mad helped me understand the broader context of what I was feeling: why and how women have been taught that anger is unbecoming and unacceptable, how society holds us to that standard, and how some brave women—like Mamie Till—have turned this reality into an opportunity to create change.
Journalist Rebecca Traister's New York Times bestselling exploration of the transformative power of female anger and its ability to transcend into a political movement is "a hopeful, maddening compendium of righteous feminine anger, and the good it can do when wielded efficiently-and collectively" (Vanity Fair).
Long before Pantsuit Nation, before the Women's March, and before the #MeToo movement, women's anger was not only politically catalytic-but politically problematic. The story of female fury and its cultural significance demonstrates its crucial role in women's slow rise to political power in America, as well as the ways that anger is received when it…
Cooper details the unique experiences that Black women have when feeling and expressing their anger.
I found this not only an indispensable resource for expanding my understanding of intersectional feminism but also an indispensable examination of the ways that white women like myself exacerbate the challenges faced by Cooper and other Black women.
Far too often, Black women's anger has been caricatured into an ugly and destructive force that threatens the civility and social fabric of American democracy. But Cooper shows us that there is more to the story than that. Black women's eloquent rage is what makes Serena Williams such a powerful tennis player. It's what makes Beyonce's girl power anthems resonate so hard. It's what makes Michelle Obama an icon. Eloquent rage keeps us all honest and accountable. It reminds women that they don't have to settle for less. When Cooper learned of her grandmother's eloquent rage about love, sex, and…
I love Eltahawy’s approach to solving the problems of the patriarchy: She wants to teach and encourage women and girls to do all the things we’re taught not to do, specifically a series of seven dubitable “sins” that have been instilled in females for centuries.
She begins by promoting the expression of anger, which like the rest of the traits on her list is something that women have been told is harmful, unfeminine, and wrong. But Eltahawy is—admirably, inspiringly—driven to flip it on its head, thereby turning it into an asset that can be employed to improve conditions for all of us.
A bold and uncompromising feminist manifesto that shows women and girls how to defy, disrupt, and destroy the patriarchy by embracing the qualities they’ve been trained to avoid.
Seizing upon the energy of the #MeToo movement, feminist activist Mona Eltahawy advocates a muscular, out-loud approach to teaching women and girls to harness their power through what she calls the “seven necessary sins” that women and girls are not supposed to commit: to be angry, ambitious, profane, violent, attention-seeking, lustful, and powerful. All the necessary “sins” that women and girls require to erupt.
In my book, the protagonist Harriet gets more and more pissed about a whole range of things, one being the fact that she’s got to do so much more than her husband Theo when it comes to the work of running their household.
In All the Rage, Darcy Lockman shows just how pervasive this reality is, and how deeply inconsistent it is with the worldviews of the women and men who find themselves stuck it. This mom-heavy imbalance of household labor is a breaking of a promise, in a way—one that so many of us went into our marriage with, and that remains an ongoing source of tension not only in my book but in homes across the US.
Why do men do so little at home? Why do women do so much? Why don't our egalitarian values match our lived experiences?
Journalist-turned-psychologist Darcy Lockman offers a clear-eyed look at the most pernicious problem facing modern parents-how progressive relationships become traditional ones when children are introduced into the household.
In an era of seemingly unprecedented feminist activism, enlightenment, and change, data shows that one area of gender inequality stubbornly persists: the disproportionate amount of parental work that falls to women, no matter their background, class, or professional status. All the Rage investigates the cause of this pervasive inequity to…
Women have been told, likely from time immemorial, to keep their anger under wraps or, even better, to not feel angry in the first place.
But what if our anger isn’t the unhealthy, unhelpful, ugly thing we’ve been told that it is? What if, as Chemaly suggests, our anger is the very thing we require if we want to pursue and achieve equality and justice, for women and for society more broadly?
Which is a lot like a question I ask in my book: What if anger is actually women’s superpower?
A conversation-shifting book urging 21st-century women to understand their anger, embrace its power, and use it as a tool for positive change
'How many women cry when angry because we've held it in for so long? How many discover that anger turned inward is depression? Soraya Chemaly's Rage Becomes Her will be good for women. After all, women have a lot to be angry about.' GLORIA STEINEM
Women are angry, and it isn't hard to figure out why. We are underpaid, overworked, thwarted and diminished. The assertive among us are labelled bitches, while the expressive among us are considered shrill.…
Inspiring historical fiction based on the real life of Bertha Benz, whose husband built the first prototype automobile, which eventually evolved into the Mercedes-Benz marque.
"Unfortunately, only a girl again."
From a young age, Cäcilie Bertha Ringer is fascinated by her father's work as a master builder in Pforzheim, Germany. But those five words, which he wrote next to her name in the family Bible, haunt Bertha.
Years later, Bertha meets Carl Benz and falls in love—with him and his extraordinary dream of building a horseless carriage. Bertha has such faith in him that she invests her dowry in his plans, a dicey move since they alone believe in the machine. When Carl's partners threaten to withdraw their support, he's ready to cut ties. Bertha knows the decision would ruin everything. Ignoring the cynics, she takes matters into her own hands, secretly planning a scheme that will either hasten the family's passage to absolute derision or prove their genius. What Bertha doesn't know is that Carl is on the cusp of making a deal with their nemesis. She's not only risking her marriage and their life's work, but is also up against the patriarchy, Carl's own self-doubt, and the clock.
Like so many other women, Bertha lived largely in her husband's shadow, but her contributions are now celebrated in this inspiring story of perseverance, resilience, and love.
Inspiring historical fiction based on the real life of Bertha Benz, whose husband built the first prototype automobile, which eventually evolved into the Mercedes-Benz marque.
"Unfortunately, only a girl again."
From a young age, Cacilie Bertha Ringer is fascinated by her father's work as a master builder in Pforzheim, Germany. But those five words, which he wrote next to her name in the family Bible, haunt Bertha.
Years later, Bertha meets Carl Benz and falls in love-with him and his extraordinary dream of building a horseless carriage. Bertha has such faith in him that she invests her dowry in his…
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